Two forms of exhibition exist: those that favour the relationship to the city<\/strong> \u2013 whether it is historical or societal \u2013 and those that question Nantes\u2019s relationship to other territories<\/strong>. Often in tandem with major institutions, national (or international) museums, they offer an occasion to reveal objects rarely seen by the public.<\/p>\n\n\n\n Whether using objects obtained via collection drives, or through the museum\u2019s own collections, the \u201cexpositions de territoire\u201d<\/strong> return to key moments in the city\u2019s history, and in the local population\u2019s relationship to Nantes. As a result, the public was able to discover Nantaises au travail \u2013 <\/em>about work in the city; Nantais venus d\u2019ailleurs <\/em>\u2013 about foreigners who made Nantes their home; En guerres, 1914-1918 \/ 1939-1945, Nantes \/ Saint-Nazaire \u00ad<\/em>\u2013about the World Wars; <\/em>and Rock ! Une histoire nantaise<\/em> ; LU, un si\u00e8cle d’innovation<\/em> ; L’ab\u00eeme. Nantes dans la traite atlantique et l’esclavage colonial<\/em>… The curators of certain exhibitions<\/strong> on the relationship between Nantes and the world<\/strong> have been instituted by the museum\u2019s management. This was the case, for example, with La Soie & le Canon FRANCE-CHINE (1700\/1860<\/em>) in 2010, and with Samoura\u00ef, 1 000 ans d\u2019histoire du Japon<\/em> in 2014. Since 2007, 30 exhibitions have been opened to the public, 6 of which have been labelled \u201cof national interest\u201d by the French government.\u00a0<\/p>\n","protected":false},"excerpt":{"rendered":" The temporary exhibitions offer an opportunity to question preconceived notions in our perpetual goal to better understand history and the contemporary world. Two forms of exhibition exist: those that favour the relationship to the city \u2013 whether it is historical or societal \u2013 and those that question Nantes\u2019s relationship to other territories. Often in tandem with major institutions, national (or […]<\/p>\n","protected":false},"author":12,"featured_media":12575,"parent":7294,"menu_order":60,"comment_status":"closed","ping_status":"closed","template":"templates\/CMN2020_TOUS_LES_EVENEMENTS_EXPOSITIONS.php","meta":{"_acf_changed":false,"footnotes":""},"indications-recherche":[],"class_list":["post-7219","page","type-page","status-publish","has-post-thumbnail","hentry"],"acf":[],"yoast_head":"\n
With the museum\u2019s acquisition policy, these exhibitions correspond to its singular spirit as an institution that has continually evolved and questioned itself since its creation. They have allowed for new museum rooms to be opened as well as for certain themes to be developed throughout the itinerary.<\/p>\n\n\n\n
Others were established in partnership with international museums, like: Ic\u00f4nes, tr\u00e9sors de r\u00e9fugi\u00e9s<\/em>, in partnership with the Byzantine and Christian Museum in 2016, Les Esprits, l\u2019Or et le Chaman<\/em>, in partnership with The Museo del Oro in Colombia in 2017, Nous les appelons Vikings<\/em>, in collaboration and coproduced with The Swedish History Museum in Stockholm and MuseumsPartner in Austria in 2018 or Amazonie. Le chamane et la pens\u00e9e de la for\u00eat<\/em>, an exhibition of the MEG, the Geneva Museum of Ethnography, presented in 2019. <\/p>\n\n\n\n