{"id":18679,"date":"2026-03-20T12:31:59","date_gmt":"2026-03-20T11:31:59","guid":{"rendered":"https:\/\/www.chateaunantes.fr\/?page_id=18679"},"modified":"2026-05-05T15:58:42","modified_gmt":"2026-05-05T13:58:42","slug":"expressions-decoloniales-presentacion","status":"publish","type":"page","link":"https:\/\/www.chateaunantes.fr\/es\/expressions-decoloniales-presentacion\/","title":{"rendered":"Expression(s) decoloniale(s) – Presentaci\u00f3n"},"content":{"rendered":"\n

Todo relato hist\u00f3rico es una construcci\u00f3n que refleja una mirada sobre el mundo, sobre s\u00ed mismo y sobre los dem\u00e1s. Los museos hist\u00f3ricos no escapan a esta regla.<\/p>\n\n\n\n

Hoy, cuando se impone la necesidad de pensar la historia de la humanidad como una historia global, numerosos objetos y documentos conservados en nuestras colecciones permanecen dominados por una visi\u00f3n colonial.<\/p>\n\n\n\n

Examinar estas piezas, desentra\u00f1ar la mirada que las acompa\u00f1\u00f3 en el momento de su adquisici\u00f3n, tomar distancia para evaluar lo que todav\u00eda imponen en nuestros imaginarios, tal es el reto del evento \u00abExpresi\u00f3n(es) descolonial(es)\u00bb.<\/p>\n\n\n\n

En esta perspectiva, el Museo de Historia de Nantes invita, una vez m\u00e1s, a voces venidas de otras latitudes.<\/p>\n\n\n\n

La artista brasile\u00f1a Rosana Paulino y el fot\u00f3grafo senegal\u00e9s Omar Victor Diop se han apoderado de las obras para inscribir en el recorrido una lectura sensible, en la que el arte se convierte en trampol\u00edn hacia el presente.<\/p>\n\n\n\n

La historiadora beninesa Lylly Houngnihin, por su parte, ha elegido una decena de piezas como puntos de anclaje de una reflexi\u00f3n abierta, tejiendo resonancias entre temporalidades y continen<\/p>\n\n\n\n\n

<\/div>

<\/h4>

Omar Victor Diop<\/h3><\/div><\/div><\/a>
<\/div>\n\n\n\n
<\/div>

<\/h4>

Rosana Paulino<\/h3><\/div><\/div><\/a>
<\/div>\n\n\n\n
<\/div>

<\/h4>

Lylly Houngnihin<\/h3><\/div><\/div><\/a>
<\/div>\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

Todo relato hist\u00f3rico es una construcci\u00f3n que refleja una mirada sobre el mundo, sobre s\u00ed mismo y sobre los dem\u00e1s. Los museos hist\u00f3ricos no escapan a esta regla. Hoy, cuando se impone la necesidad de pensar la historia de la humanidad como una historia global, numerosos objetos y documentos conservados en nuestras colecciones permanecen dominados […]<\/p>\n","protected":false},"author":12,"featured_media":18962,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"indications-recherche":[],"class_list":["post-18679","page","type-page","status-publish","has-post-thumbnail","hentry"],"acf":[],"yoast_head":"\nExpression(s) decoloniale(s) - Presentaci\u00f3n - Ch\u00e2teau des ducs de Bretagne | Mus\u00e9e d\u2019histoire de Nantes<\/title>\n<meta name=\"robots\" content=\"noindex, follow\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Expression(s) decoloniale(s) - Presentaci\u00f3n - Ch\u00e2teau des ducs de Bretagne | Mus\u00e9e d\u2019histoire de Nantes\" \/>\n<meta property=\"og:description\" content=\"Todo relato hist\u00f3rico es una construcci\u00f3n que refleja una mirada sobre el mundo, sobre s\u00ed mismo y sobre los dem\u00e1s. Los museos hist\u00f3ricos no escapan a esta regla. 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