Exhibitions

The temporary exhibitions offer an opportunity to question preconceived notions in our perpetual goal to better understand history and the contemporary world.

Two forms of exhibition exist: those that favour the relationship to the city – whether it is historical or societal – and those that question Nantes’s relationship to other territories. Often in tandem with major institutions, national (or international) museums, they offer an occasion to reveal objects rarely seen by the public.

Whether using objects obtained via collection drives, or through the museum’s own collections, the “expositions de territoire” return to key moments in the city’s history, and in the local population’s relationship to Nantes. As a result, the public was able to discover Nantaises au travail – about work in the city; Nantais venus d’ailleurs – about foreigners who made Nantes their home; En guerres, 1914-1918 / 1939-1945, Nantes / Saint-Nazaire ­–about the World Wars; and Rock ! Une histoire nantaise ; LU, un siècle d’innovation ; L’abîme. Nantes dans la traite atlantique et l’esclavage colonial…
With the museum’s acquisition policy, these exhibitions correspond to its singular spirit as an institution that has continually evolved and questioned itself since its creation. They have allowed for new museum rooms to be opened as well as for certain themes to be developed throughout the itinerary.

The curators of certain exhibitions on the relationship between Nantes and the world have been instituted by the museum’s management. This was the case, for example, with La Soie & le Canon FRANCE-CHINE (1700/1860) in 2010, and with Samouraï, 1 000 ans d’histoire du Japon in 2014.
Others were established in partnership with international museums, like: Icônes, trésors de réfugiés, in partnership with the Byzantine and Christian Museum in 2016, Les Esprits, l’Or et le Chaman, in partnership with The Museo del Oro in Colombia in 2017, Nous les appelons Vikings, in collaboration and coproduced with The Swedish History Museum in Stockholm and MuseumsPartner in Austria in 2018 or Amazonie. Le chamane et la pensée de la forêt, an exhibition of the MEG, the Geneva Museum of Ethnography, presented in 2019.

Since 2007, 30 exhibitions have been opened to the public, 6 of which have been labelled “of national interest” by the French government. 

From summer to until April 2023, the Château des ducs de Bretagne opens up its exhibition spaces and cultural program to India.
Since 2 July, Charles Fréger has presented his new series AAM AASTHA made up of 90 photos that welcome you on a majestic voyage to India, with often spectacular incarnations of deities.
And, from October 15, the exhibition Inde. Reflets de mondes sacrés (“India. Reflections of Sacred Worlds”) offers a sensorial approach to the country’s three native religions. Roughly 200 original objects will describe the myths and legends of Hinduism, Buddhism and Jainism to paint a rich and colorful portrait of India.